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ICOM-CC is coming to Norway

14 – 18 September 2026

ICOM-CC is coming to Norway

14 – 18 September 2026

Papers – provisional list

List of Posters

Working Group, author name and title of accepted PAPERS for the Triennial Conference.

Please note the following:

Archaeological Materials and Sites

  • Developing a conservation strategy for the Mycenaean earth structures at Kynos. A rare opportunity, a great challenge DELI Maria, Maria Mertzani
  • A virgin find: Conservation and analysis of a unique discovery of medieval religious ivories EBERT Bettina, Hege Ingjerd Hollund
  • Contemporary archaeological artefacts: New challenges for conservator-restorers ECHINARD Jane, Charlene Pele-Meziani, Elodie Guilminot, Julie Gallais, Sylvie Labroche, Michaela Florescu
  • Enhancing conservation in antarctic archaeology: Informational resources on sealer sites RADICCHI Gerusa

Art Technological Source Research

  • Sophie Taeuber-Arp: From a craftswoman to a woman artist BETZ Gesine, Meret Haudenschild, Lucy Gmelch, Markus Kueffner, Stefan Zumbühl
  • Rediscovering Aqua-tec acrylic paint: History and use by Jack Whitten and New York abstract artists CERVELLI Eleonora, Michael Duffy, Catherine H. Stephens
  • Old collections, new connections: Interdisciplinary contextualization of ancient Egyptian textiles DÜLLO Eva, Petra Linscheid
  • Source research on matte-drying varnishes for easel paintings in German texts between 1800 and 1950 NEUGEBAUER Wibke
  • A master of paint: The Parisian colourman Lucien Lefebvre-Foinet and their transnational legacy NUNN Catherine, Mar Gomez Lobon, Aviva Burnstock, Nicole Tse, Enrique Juncosa
  • The state of knowledge on historical stone adhesives: A cross-disciplinary review of written sources, finds and experimental reconstruction PLONER Silas
  • Early development of Winsor & Newton artists’ acrylic paints SMITHEN Patricia , Bronwyn Ormsby, Aviva Burnstock
  • The impact of white: The introduction of titanium dioxide pigments in artists’ paints as evidenced in German paint manufacturers’ archives VIELER Lea, Anne Sicken, Gunnar Heydenreich

Documentation

  • Virtually connecting Bernini’s bronzes: Best practices, challenges, and preliminary results of processing a large database of 3D scans ACKE Lien, Jane Bassett, Lisa Ellis, Evonne Levy
  • Imaging visible fluorescence for the conservation of painted metal artifacts using a material-driven approach tested on historic Martin toys BERNARD Chloe, Pierre Lemaire, Karine Alexandrian, Marie-Anne Loeper-Attia
  • A conservation approach to digital image datasets: Safeguarding cultural integrity in the digital age DE WINTER Stefanie, Lisa Koßmann
  • Developing a multimodal image analysis and visualisation tool for paintings ECKERTZ Nina, Irina Crina Anca Sandu, Hilda Deborah, Jon Yngve Hardeberg
  • Specialized imaging techniques for conserving and studying Chinese calligraphy and paintings HAN Tong, Yong Lei, Yanan Tang
  • ConservKG: An AI knowledge graph platform for documenting and accessing conservation treatment knowledge LIU Chongwen, Haolin Fan, Chenshu Liu, Caitlin R. O’Grady, Christian de Brer
  • Renegotiating authenticity: Navigating terminology for art authenticity across cultures and contexts O'DONNELL Eliza, Kiki Rizky Soetisna Putri
  • Development and application of an AI-based automatic deterioration recognition system for the palm-leaf manuscripts collection in the Potala Palace ZHOU Xiao, lhamo Tashi, Chen Xuelian, Na Li, Hongmei Lu, Shuai Tian

Education and Training in Conservation

  • Conservation ethics is not rocket science: Your step-by-step guide to conservation decisions BRÜCKLE Irene
  • Time travel and root gurus: Reflecting on 25 years of conservation knowledge exchange in Bhutan FUENTES Ayesha, Julia M. Brennan
  • Confronting “It depends”: Navigating uncertainty in conservation education HAGERMAN Madeline
  • Advancing stewardship, preservation practices, and cultural diplomacy with instructive graphic novels HALL Lauren , Raina Chao
  • World culture conservation and communities: A new collaborative elective HENSEL Jessica, Marjolein Homan Free
  • Cultural connections between Egypt and Japan: JICA capacity development project in conservation at the Grand Egyptian Museum Conservation Center since 2008 to the present ISHII Mie, Yasushi Okada, Yoko Taniguchi, Akiko Nishisaka, Mikio Nakamura
  • Sustainability in conservation: Green skills in practice, research, and education KIMMEL Tanja, Marija Milchin
  • Continuous and stable supply of traditional tools and materials essential for conservation OKA Iwataro
  • Adding a course on conservation ethics to the art conservation curriculum at the University of Delaware OWCZAREK Nina, Madeline Hagerman
  • Paper conservation programme at the Tbilisi State Academy in Tbilisi, Georgia, in cooperation with the Cologne Institute of Conservation Sciences PATAKI-HUNDT Andrea, Marlen Börngen, Bert Jaček, Asmati Tkeshelashvili
  • Co-creative approaches for developing modules for green education in conservation RICHARDSON Clare, Sky-Lyn Muñoz, Rebecca Senior, Loïc Bertrand, Claire Betelu
  • Improving the teaching and learning of materials identification and analysis skills in conservation master's students through self-directed learning experiences THOMPSON Davina, Emily Williams

Glass and Ceramics

  • Taking a second look: A multi-axial study of red-anchor period Chelsea porcelains BARACK Sarah, Alicia McGeachy, Jessica Walthew, Wunmi Akinlemibola
  • Recent advances in the use of 3D technology in glass conservation: Reconstruction of complex and large areas of loss OOIEVAAR Owen, Chenyue Xu, Nowel Ooievaar, Kate van Lookeren Campagne, Mandy Slager
  • The illusion of cleaned glass? Results of a test series on artificially aged glass samples ROTHENHAEUSLER Ulrike, Tiziana Lombardo, Katharina Schmidt-Ott, Sony George

Graphic Documents

  • Mutual understanding – The basis for cross-cultural exchange ECKSTEIN Karin, Ritsuko Schuster-Ishii, Keisuke Sugiyama
  • Quantitative assessment of the impact of humidification treatment on degraded parchment ROBINET Laurianne, Marie-Claire Schanne-Klein, Sylvie Heu-Thao , Gaël Latour, Élodie Lévêque
  • Technically speaking: Analysis of Edvard Munch’s printmaking materials SCHLEICHER Abby, Arthur McClelland, Georgina Rayner, Katherine Eremin
  • Andy Warhol’s Cow Wallpaper: Conservation strategies for a multi-part silkscreen SIMON Sarah Maria, Irene Brückle, Ute Henniges, John Peter Nilsson, Alison Norton
  • "Mended throughout and bound in cloth": Revisiting 1890–1916 repairs whilst conserving the Bodleian Genizah collection STIGLITZ Marinita, Yan Ling Choi, Lindsay McPherson

Leather and Related Materials

  • From complicating factors to new perspectives. The integral conservation treatment of gilt leather wall hangings from the Alderman’s Chamber of the s’-Hertogenbosch town hall HARTMANN Julia, Daniëlle Stobbe, Luuk Hoogstede, Nico van der Woude
  • A tale of two frames: Conserving late nineteenth century South Australian women’s ‘fancy work’ HEYSEN Rosemary
  • Large-scale multi-technique characterization of construction and previous conservation materials on gilt-leather wall coverings LONDERO Pablo, Celine Bonnot-Diconne, Valentina Pintus, Noora Alzaabi, Sylvie Heu-Thao , Elsa Bourguignon
  • Art technology analysis of two tobacco pouches from the International Foundation of Indonesian Culture and Asian Heritage (IFICAH): Leather origin and manufacture details PATAKI-HUNDT Andrea, Clara Herzog, Guenther Heckmann, Bert Jaček

Metals

  • Combination of multimodal imaging and analytical techniques for iron archaeological artifacts BRAMBILLA Laura, Ocson Cocen, Seren Azad, Anders Kaestner
  • Comparative evaluation of application methods for archaeological copper bio-induced stabilization PETRASZ Patrycja, Lidia Mathys, Edith Joseph, Giulia D’Agostino, Giuseppe Lazzara
  • Uncovering the history of the restoration of Tijou's ironwork at Hampton Court Palace (a work of art, craft and science) ROBERTS Zoe, Sarah Paynter, Daniel Jackson, Andrew Harris
  • Controlling tarnish on silver threads on textiles THICKETT David, Bhavesh Shah, Boris Pretzel
  • Siderite crystal growth: A novel approach to treatment of archaeological iron WITH Ruben
  • The application of amino acid-related green gels for the cleaning of a 19th-century silversmithing masterpiece WU Qing, Julie Schröter, Emmanuel Plé, Anaïs Alchus, Edith Joseph

Modern Materials and Contemporary Art

  • Documentation strategies for synchronized slide installations using James Coleman’s Charon (MIT), 1989, as a case-study ELEBE Johanna, Martina Haidvogl
  • Radical transparency in caring for computer-generated works: From best practices to adapted practices. FORTUNATO Flaminia, Alessio Tozzi, Sandu Cojocari, Sonia Milewska, Tjerk Busstra, Olivia Schoenfeld
  • A second bloom: Decision-making process and conservation strategies for the hortisculpture "Labia Virginica Grandiflora" (1968) by Ferdi Tajiri-Jansen JANSEN Ellen, Katja van de Braak, Charlotte Franzen, Tijm Lanjouw, Alicia Walsh
  • Preserving the living artwork “Blütezeit?!”: Interdisciplinary collaboration as a method and conservation measure KNEER Aglaja, Wibke Neugebauer, Jonathan Debik, Kamilla Ødegård, Enno Lehmann
  • Materiality and intangibility: Care for memory and movement in Alexandra Pirici's live performative work Re-Collection at SFMOMA LIN Shu-Wen, Yun-Hsuan Lee
  • Temporal perspectives on Sonic Mediations: Unfolding identities in a sound installation and performance PEISA Saara
  • Interdisciplinary connections to foster new ways of looking: The Conservation Study Days at the Getty Research Institute RIVENC Rachel
  • Preserving plastics, protecting the planet SHASHOUA Yvonne, Martin Nordvig Mortensen

Murals, Stone, and Rock Art

  • Between two worlds: The conservation of four detached wall paintings from the collection of the Isabella Stewart Gardner Museum BOGIN Stephanie, Lucia Bay, Serena Martucci di Scarfizzi
  • Biodeterioration of outdoor gravestones at the Assistens Cemetery in Copenhagen: Impacts of conservation treatments and climate change GAMBINO Michela
  • Coming together: The treatment and travels of a sandstone Chinese stele from the Abby Aldrich Rockefeller Garden in Maine HATCHFIELD Pamela, Evelyn Mayberger
  • How to remove and reattach 225,000 tiles without losing your way: The conservation of the façade mosaics at Kommunenes Hus in Oslo KAUN Susanne, Hulda Blix
  • Traditions can be broken: Changes in the perception and preservation of paint-filled petroglyphs in Norway PAWEL Daniela
  • Current and past approaches in the study and conservation of wall paintings: The case of the 15th-century Raron chapel in Sion, Valais, Switzerland PIQUÉ Francesca, Patrizia Moretti, Silvia Mariani, Stefan Zumbühl
  • Toward a long-term solution for recovering darkened lead white in wall paintings: Treatment development on mock-ups RUSSO Giulia, Francesca Piqué, Mauro Matteini, Patrizia Moretti

Natural History Collections

  • The impact of different cleaning methods on aged pennaceous feathers BROWN J. P., Erin Murphy, Mackenzie Fairchild, Julia Sybalsky
  • Sticky Cetacea: Conservation challenges of a collection of historic Cetacea skins from the Natural History Museum in London PORTONI Fabiana, Lucia Petrera, Tanya Nakamoto, Lydia Amies, Lauren Burleson, Wren Montgomery, Richard Sabin

Objects from Indigenous and World Cultures

  • AMAZONIE(S): Native voices and pedagogies of art and conservation at the Ecole Supérieure d’Art d’Avignon BENECCHI Camille, Morgan Labar, Léa Le Bricomte, Thiago Karai Djekupe
  • Reasons to gather: Incorporating traditional Japanese tea practice into an art museum collection CHASE Ellen, Akiko Niwa, Sol Jung, Ayumi Nelson, Jenifer Bosworth, Janis Woodward
  • Saltwater Bark Collection conservation management plan: Bridging the conservation science gap through traditional Indigenous and western conservation two-way knowledge FOX Jeffrey, Agata Rostek-Robak, Mathew Le Breton Poll
  • Te Rā and beyond: Embedding cultural connection in everyday conservation HADFIELD Jade, Erina McCann
  • Rethinking best practice: Principles for community-led conservation in First Nations communities HAMILTON Samantha
  • Museo Vizcaino as a site of cultural education: Gearing toward pedagogical learning laboratory HOMBREBUENO Mild R., Arshiela G. Manuel, Romana P. Dulnuan
  • Collaborative conservation of Amazigh carpets: Integrating indigenous knowledge in Moroccan heritage preservation ID TNAINE Omar
  • The establishment of an international network of Indigenous conservators OLLI Anne May, Kuukua Anna Buduson, Juanita Kelly-Mundine, Tharron Bloomfield
  • Creating connections through conservation: Reflections on a collaborative project SALAS Megan E., Katarina E. Kaspari
  • Chief Dragswolf’s war shirt returns home: Braiding together cultures, generations, and sovereign borders WATTS Amanda, Zane Baker

Paintings

  • Climate tolerance for canvas paintings ANDERSEN Cecil Krarup
  • Current practices in strip-lining: A survey of methodologies and materials BOWERSOX Ashley, Markus Küffner
  • What lies beneath: An exploration of the applications and limitations of XRF scanning for critical interpretation of condition, technique and attribution of paintings from the Courtauld Gallery BURNSTOCK Aviva, Nathan Daly, Megan Buchanan-Smith
  • Restoring radiance: The conservation of Emmanuel Phillips Fox’s "Autumn Showers" and its frame DABROWA Barbara, Selina Halim, Andrea Nottage
  • Still life? Not so still: The complex composition and degradation process of a rare painting technique by Anne Vallayer-Coster, and its subsequent treatment DAUDIN-SCHOTTE Maude, Elyse Canosa, Kasra Amini, Kathrin Hinrichs Degerblad, Tom Sandström, Fredrik Lundell
  • Picturing Barbados: Conservation, collaboration, and cross-cultural exchange FRANCIS Kendall, Anne Bancroft , Aniko Bezur, Richard Hark, Sarah Maisey, Edward Town
  • Panel painting preparation with canvas and fibers in the Late Middle Ages: New insights from the German-speaking regions FÜCKER Beate, Lisa Eckstein
  • More than bubbles! Evaluation of an innovative foam-based cleaning method for paintings: Enhancing effectiveness while reducing water and mechanical impact GEISSMANN Moritz, Eva Mariasole Angelin, Clarimma Sessa, Tilly Laaser, Tamara Schad, Heinrich Piening
  • Preserving historic Andean workshop traditions through modern structural treatments HARTMAN Laura, Maria del Rosario Campuzano Sanchez
  • Unveiling František Kupka’s "Divertimento I" HARTMAN DRUMM Diana, Julie Barten, Alicia McGeachy, Hitomi Fujii
  • Expanding the role of methylcellulose foam in conservation: Drying properties and practical applications illustrated by its use in strip lining HELMRICH Carla, Johanna Krailing , Karolina Soppa, Petra Demuth, Birgit Glüsen, Nadim C. Scherrer
  • Restoration and democracy: “Mulatas à Mesa” by Di Cavalcanti LACERDA BACHETTINI Andréa, Keli Cristina Scolari, Bruno da Silveira Noremberg
  • The impact of old treatments on panel painting conservation. The case study of "Saint Anthony of Padua" by Cosmè Tura: Wooden structure restoration and new research perspectives RICCIARDI Luciano, Andrea Santacesaria, Ciro Castelli
  • Painted textiles and interwoven practices: Technical study, treatment, and display of a 19th-century "Raslila pichwai" at the Museum of Fine Arts, Houston SHAH Nikita , Sara Luduena, Soraya Alcalá, Per Knutås
  • Some fundamentals on the adhesive strength of methylcellulose and low molecular weight hydroxypropylmethylcellulose: Influence of the degree of polymerisation, application technique, porosity and material polarity on the adhesive strength SOPPA Karolina
  • How can the mist reinforce? Understanding and preserving a distemper "tüchlein" painting with the Mist-Lining system VAN REIJEN Jip, Joanna Strombek, Erich Uffelman

Photographic Materials

  • Evaluating alternatives for surface cleaning of albumen prints: Polyvinyl alcohol–borax formulations HANK PALATÍNUSOVÁ Barbora, Janka Blaško Križanová, Zuzana Machatová
  • Remote visions: Hercule Florence’s photographic innovations in Brazil KAPLAN Art, Sergio Burgi, Antonio Florence, Millard Schisler
  • Then and now: The continued preservation of backlit photographs LEWIS Kate, Sylvie Pénichon, Lee Ann Daffner
  • Surveying collections of chromogenic film photographs: Insights from Portuguese collections OLIVEIRA FERNANDES Lénia, Élia Roldão, Susana França de Sá , Emília Tavares

Preventive Conservation

  • From design to reality: Optimizing energy use and climate conditions in CCNL ANKERSMIT Bart, Gerrit Engberts, Marc Stappers, Wim Hoeben, Paul Steskens
  • The risks and rewards of lending technology artifacts: A National Air and Space Museum study BEESLEY Elizabeth
  • Developing a lighting policy for a contemporary art museum BÜLOW Anna E., Farideh Fekrsanati, Agnes W. Brokerhof
  • Inter-service collaboration for heritage preservation: The French example COURSELAUD Marie
  • Asbestos in museums: A conservator’s perspective on managing hazardous risks ESPELAND Therese, Elena Santamarina, Stina Ekelund Erlandsen
  • Long-term monitoring of a lacquer commode: Integrating acoustic emission and DSPI for sustainable preservation at the V&A FREEMAN Ashley A., Marcin Strojecki, Amanda Yeonjoo Hahn, Bhavesh Shah, Dana Melchar, Boris Pretzel, Leszek Krzemien, Pedro Gaspar, Sarah VanSnick, Łukasz Bratasz, Michał Łukomski
  • The Art Carton project: Rethinking packaging as a multidisciplinary team in the context of climate crisis GAYDON Lucille, Sarah Puech, Federico Aimaro, Alexandra Bridarolli, Vincent Saporito, Maroussia Duranton
  • Response of the Cultural Heritage Disaster Risk Management Center, Japan, to cultural heritage damaged in the 2024 Noto Peninsula earthquake KODANI Ryusuke, Yohsei Kohdzuma, Masahide Inuzuka, Toru Tateishi, Shiho Nakashima
  • Sustainable environmental control for preventive conservation: Integrating field data and institutional practices in Japan MIZUTANI Etsuko, Chiemi Iba, Junko Akiyama, Kotomi Tanaka
  • ¡Ave María!: A look at Puerto Rican museums’ emergency preparedness before and after Hurricane María NAVEDO GARCÍA Patricia
  • Increasing access while minimizing risk: Lanhydrock’s rare book collection NEWMAN Charlotte, Shayne Rivers
  • Flames at National Museum, Akure: The need for emotional management OKPALANOZIE Ogechukwu Elizabeth, Jennifer Manji Binkat , Uche Zainab Kilba , Stephanie Chinonso Nwaokobia , Muhammed Zekeri , Okwuchi Irene Okoro
  • Pervading imbalances in museum loan negotiations and strategies between tropical and temperate climate zones PÁEZ CURE Adriana I., Bart Ankersmit, Agnes Brokerhof, Margarita C. Villanueva
  • Shared custodianship as a tool for preventive conservation PASTOR PÉREZ Ana, Sígrid Remacha Acebrón , Júlia Servera Gumbau , Mercè Gual Via
  • The Danish/Vejle model optimised: Sustainable construction of low-energy museum storage facilities RÆDER KNUDSEN Lise, Signe Nygaard, Simeon Østerlund Bamford, Bodil Klarskov Sylvester , Johanne Djernes Østergaard, Jørgen Erik Christensen
  • From climate control to carbon footprint: The long-term impact of low-energy museum storage in Denmark RYHL-SVENDSEN Morten, Lars Aasbjerg Jensen, Poul Klenz Larsen
  • Balancing levels for sustainable transports SWEDBERG Lisa, Cecilia Isaksson
  • The See Yup Temple: Chinese Australian collections, disaster recovery, and human-centred caretaking and conservation TSE Nicole, Danni Lin, Sophie Couchman, Jennifer Dickens, Moyan (Mollie) Liu
  • The role of collaboration and partnership in enhancing sustainability and resilience in the National Library of New Zealand ŽIVKOVIĆ Vesna, Philip Young, Praise Li, Justin de la Haye

Scientific Research

  • Studying materials and techniques of Greek Byzantine icons using the TriENA analytical system ATHANASIADOU Martha, Argyro Tsigkri , Alexandros Petrou, Kristalia Melessanaki, Kostas Hatzigiannakis, Demetrios Anglos, Vasileios Panagiotopoulos, Victor Pinon, Paraskevi Pouli
  • Ancient Egyptian cotton? An analytical case study on fibre identification, quality assessment, material processing, degradation and dating of an Egyptian textile ensemble LUKESOVA Hana, Elsa Yvanez, Irka Hajdas, Loren Morgillo, Idrissa Diakite, Romane Batardière, Alessia Melelli, Mario Sheel, Alain Bourmaud
  • Multi-technique analytical approach to the study of an unusually faded green in the Mewar court painting “Jagat Singh II and his Queens at Jagniwas” MIEITES ALONSO Maria Goretti, Marina Ruiz Molina, Girikumar Sekharakurup, Anuja Mukherjee, Bhasha Shah, Marco Leona
  • A holistic non-invasive study of Indian Ragamala paintings VICHI Alessandra, Sonika Soni, Stéphanie Vuillemenot, Martin Stollenwerk, Caroline Widmer
  • Distinguishing between calcites formed by different mechanisms: A case study of archaeological lime from Potou Site, China ZHAO Na, Guanghui Zhang, Qin Yang, Liuxin Zhang, Lizhi Wang

Sculpture, Polychromy, and Architectural Decoration

  • Practising preventive conservation for performing procession sculptures DANKMEYER-DULLAART Camille, Maartje Stols-Witlox
  • Radiant gold or imitation? Exploring the painter's use of yellow-glazed gildings in medieval Europe KOLLANDSRUD Kaja, Kristin Kausland
  • More than clay: Conservation challenges and sustainability lessons from the study of monumental terracruda sculpture LÓPEZ-PRAT Mònica, Gesa Schwantes
  • Face-to-face: A participatory approach to meaning and treatment decision-making for puppets at the Toone Théâtre MERCIER Emmanuelle, Griet Kockelkoren
  • Early plaster casts of the Alhambra: A technical study and collaborative conservation project RAVAIOLI Flavia
  • The Safety Project at the City of Oslo Art Collection SYVERSEN Terje, Mari Bjørge, Fredrik Aune Dammen, Oda Grønnesby, Marit Lehne, Ingrid Skard Skomedal
  • The creation of the divine face: The polychrome technique for wooden sculptures in Yvo Strigel's “altarpiece factory” around 1500 ZUMBÜHL Stefan

Textiles

  • Optimizing object display durations: A microfading testing approach to preserving historical textiles at the Rijksmuseum BOLDERMAN Willemijn, Art Ness Proaño Gaibor, Gauthier Patin
  • NetLaPaTex project: Multi-technique evaluation of laser cleaning of heritage textiles DUBOST Margot, Mohamed Dallel, Sandie Le Conte, Chloé Ranchoux, Stephanie Courtier
  • Painted cloths at the National Trust: Beyond borders and across disciplines HELLEN Rebecca, Julie Marsden
  • A strategic approach to the sustainable use of a deteriorated historic textile as a teaching resource in practical conservation training MATSUDA Yasunori, Chih Ling Lee, Nao Ouchi, Midori Yokoyama
  • Embracing two worlds: Exploring bicultural heritage through research, conservation and display of a Japanese “Taireifuku” MOTAUNG Kaori
  • Archaeological-textile cleaning experiences with vacuuming NAGY Rebeka
  • A silk tent at the North Pole: The conservation and display of the 1928 “Red Tent”, Museum of Science and Technology, Milan OLIVA Cinzia
  • Conservation and restoration of Qing dynasty embroidered panels with gold-twined threads at the National Museum of China ZHANG Liuxin, Hui Zhang

Theory, History, and Ethics of Conservation

  • Events, affects, and ethics: Rethinking the "moment" in conservation CHANG Jina
  • The untold story of ICOM-CC terminology: Towards building consensus DE GUICHEN Gael, Catherine Antomarchi
  • The subtle yet enduring influence of the Gilliérons on the development of archaeological conservation in Greece DELI Maria
  • An artist’s professional evolution: Community-led conservation initiatives in Pakistan DURRANI Sana
  • Memento restauratum! Historical restorations of church interiors in Norway KAUN Susanne, Elisabeth Andersen, Kristin Kausland
  • Brave new avant conservation KEMP Jonathan, Hohi Ikeda
  • Ethical challenges in conservation training: Indigenous students and the decolonization of heritage conservation practices MATIZ-LÓPEZ Paula
  • Three scenarios exploring carbon footprints and time horizons in cultural heritage preservation of historic silver NUNBERG Sarah, Matthew Eckelman , Pamela Hatchfield
  • Navigating the past to understand the future: Conservation and heritage diplomacy in times of stress O'GRADY Caitlin R.
  • Approaches to teaching conservation ethics: How is everyone doing it? OWCZAREK Nina
  • Inheritance and evolution of traditional Chinese painting mounting techniques under modern cultural heritage conservation philosophies SHI Qian
  • Paleo-inspiration as a promising approach for sustainable practices in heritage conservation ZHOU Han, Julia Claire Reitzer, Loïc Bertrand, Maartje Stols-Witlox

Wet Organic Archaeological Materials

  • From records to responses: A mixed-methods analysis to explore the conservation of archaeological bark materials in the last 50 years DI PIETRO Giovanna, Johanna Klügl, Ingrid Stelzner
  • Relocating the five Skuldelev Viking Age shipwrecks to preserve and display them for future generations JOHNSEN Jesper Stub, Kristiane Strætkvern, Morten Ryhl-Svendsen, Tom Nicolajsen, Anette Hjelm Petersen, Simon Jensen
  • Study on the mechanism of dimensional stability in the trehalose method for waterlogged archaeological wood: Reinforcement of cell walls by crystallization XIAO Shuyin, Soichiro Wakiya, Kazutaka Matsuda, Akinobu Yanagida, Tomomi Tamura, Yohsei Kohdzuma

Wood, Furniture, and Lacquer

  • Context-driven cleaning approaches: Flexible polysaccharide emulsion gels for removal of gold imitation paint over wooden gilded surfaces CAVALCANTE Rita de Cássia, Stéphanie Auffret
  • Technical investigation and comparison of ten dummy boards conserved in Sweden: The artwork as primary source ROY Annika, Cecilia Heisser
  • The Dolphin Chairs from Ham House: Finding connections with the past through a deep understanding of materials and craftsmanship SHREEVE Nicola, Sarah McGrady, Claire-Louise Golbourn, Aimée Grice-Venour , Tracey Chaplin, Kristie Short-Traxler
  • Testing climate damage predictions for furniture THICKETT David
  • Evaluating the mechanical and working properties of bulked Lascaux 498HV and its suitability for filling non-structural splits in wood TUDOR Abigail, Shayne Rivers, Ambrose Taylor, Kate Jennings
  • Studying the manufacture of a lacquer plate inscribed with “The Buddha’s Light Shines ‌Forever” ZHANG Tong, Qiuju He, Yong Lei