ICOM-CC is coming to Norway
14 – 18 September 2026
ICOM-CC is coming to Norway
14 – 18 September 2026
Pre- and post-tours: Registration starts in January 2026
Before and after the conference, you can join extended guided tours; not only in Oslo but throughout the country. You can experience guided tours in museums and cultural institutions, from Alta in the north to Kristiansand in the south. The tours visit unique locations and offer the chance to meet with experts in their respective fields.
To attend these tours, you will need to book and pay for your own flights and hotel accommodation. The tours themselves may also have a small cost depending on their scope.
Please note that each tour has a limited number of places available. Registration for these tours is binding. We will provide more details about each tour when we open for registration in January 2026.
You can participate in the following pre- and post-tours:
• Visit the Museum of Cultural History – VIKING AGE MUSEUM in Oslo
• Visit the RiddoDouttarMuseat and Sámi Parliament building in Karasjok
• Visit Kautokeino with a focus on traditional Sámi culture and handcraft
• Visit the Stone Age rock art inscribed on the UNESCO World Heritage List and Stone Age landscapes, and also Alta Museum in Alta
• Visit Nidaros Cathedral’s Restoration Workshop and the Archbishop’s Palace in Trondheim
• Visit Ringve Music Museum – a home for musical instruments in Trondheim
• Wooden architecture – and world heritage: How to preserve a stave church from natural and anthropogenic hazards in Sogndal
• Explore the University Museum of Bergen in Bergen
• Visit Eidsvoll 1814, departing from Oslo
*Minor changes may occur. Force major: If you are prevented from attending your pre- or post tour it is very important that you notify the organisers as soon as possible. Epost: til icom-cc2026@liwlig.no
The Oseberg ship dated c. 820 in the former museum building, now under renovation Photo: Mittet & Co, 1966.
Visit the Museum of Cultural History – VIKING AGE MUSEUM – sneak preview!
The Viking Ship Museum is home to the world’s foremost collection of Viking-era artifacts. Part of the Museum of Cultural History at the University of Oslo, this century-old museum has undergone significant expansion and is now transformed into the new Museum of the Viking Age. It is scheduled to open late 2027.
Before construction began, smaller and less fragile artifacts were moved to secure storage. However, the museum’s centerpiece collection, which includes the Oseberg, Gokstad, and Tune ships—the three best-preserved Viking ships in existence—as well as the unique and intricately carved sledges from the Oseberg finds, posed great challenges. These large, fragile, and structurally complex objects could not be relocated due to the high risks involved, making on-site safeguarding a priority.
This technical tour offers an exclusive behind-the-scenes look at how these iconic objects were protected during construction. It also explores the meticulous process of relocating them to the new gallery spaces, where considerations for long-term preservation, optimal environmental conditions, and an enhanced visitor experience were carefully balanced.
Architect illustration for the Viking age Museum. Due to open in 2027. Photo: RAA.
Securing the Oseberg on the building site. Photo: MUSEUM OF CULTURAL HISTORY, University of Oslo.
More information here:
Registration: Starts in January 2026
Deadline for registration: 1 September
Location: Oslo
Date: 13 September 2026
Price: No costs.
Duration of the visit: 1,5 hours
Max. number of attendees: 2 groups of 20
Meeting time:
Group-1 kl. 12.00
Group-2 kl. 13.30
Meeting place:
Main entrance of the museum, Huk Aveny 35, Oslo
How to get there:
Bus 30 Bygdøy from Jernbanetorget, close to the conference venue. The bus stops right outside the museum, and the stop is called Vikingskipene. The route runs approximately every 10 minutes, and the ride takes about 10-15 minutes. Alternatively Ferry 9 from Rådhusbrygge 3 at the City Hall to Dronningen on Bygdøy. From Dronningen, there is a 13-minute walk to the Museum of the Viking Age (check schedules and where to buy tickets at https://ruter.no/en).
For more information on how to get there: Museum of the Viking Age – University of Oslo
Accessibility:
The Viking Age Museum is still under construction in Sept. 2026 and may have accessibility issues. For your safety, the use of a helmet, high-visibility vest, and safety shoes is mandatory at all times. All required protective equipment is available for loan on site.
Practical considerations:
No Food or Drink; Ask your host if taking photos is ok.
During excavation of the Oseberg burial mound, Tønsberg, in 1904 showing the ship’s intricate prow carvings. Photo: National library, Norway.
By Jan Magne Gjerde
Visit Stone Age rock art inscribed on the UNESCO World Heritage List and Stone Age landscapes, and Alta Museum
Visit Alta with research professor Dr. Jan Magne Gjerde, specialist on rock art and stone age of Northernmost Europe.
We will visit the unique rock art sites in Alta which includes c. 7.000 carvings from the Stone Age. The rock art is the largest concentration of Stone Age rock art in northern Europe. Included in the visit is also Alta Museum where most of the carvings are situated. We will also take you back to the “Stone Age landscapes” of Alta between 11.000 and 4.000 years ago. In this landscape Stone Age sites in the area are still visible due to the scarce vegetation since the Stone Age, including settlement structures where some of the traces from artefact production are still visible today thousands of years after the settlements were in use. In the early evening, we will get a unique experience by seeing the rock art at “night” where we use artificial light to see the carvings.
Night photo of Stone Age rock art with Aurora Borealis in the background. Photo: Jan Magne Gjerde
Detailed program:
10.10 Bus to Alta Museum
10.30-13.00 Alta Museum rock art (bus to Alta Museum) Walk through the rock art area (5000 years of rock art and the Museum)
13.00-14.00 Traditional food (lunch at Alta Museum)
14.30-17.00 The archaeological landscape (and historical) in the Alta-fjord area (Rock art, settlements, quarries landscape). Archaeological guide to the area from Alta Museum to Isnestoften. Bus to Isnestoften. (Bus from Alta Museum to Alta) We walk to Langnesholmen where there are c. 60 stone age house structures visible and 4 boulders with rock art and a stunning landscape
17.00-19.00 Dinner in Alta City or traditional food at Alta Museum on own initiative.
19.00-21.00 Rock art by night. See the rock art in artificial light Leaving Alta the day after (20th of September).
Photo: Jan Magne Gjerde
More information here:
Registration: Starts in January 2026
Deadline for registration: 1 September
Location: Alta, Northern Norway
Date: 19 September 2026
Price: 800,- + optional bidos (300,-)
Duration of the visit: Full day program. Starts at 10.00 and ends 21:00. Parts of the program is optional
Max. number of attendees: 2 groups of 20
Meeting time:
Group-1 kl. 10.00
Group-2 kl. 10.00
Meeting place:
Alta City Centre – Outside Scandic Hotel
How to get there:
Flight from Oslo to Alta on Friday. Each participant must arrange their own flight and accomodation. Be aware you might need to combine flights from various airlines. An option is to fly to Tromsø, and from there continue to Alta with for example Widerø.
There will be arranged a round trip bus from Alta. This is included in the price.
Accessibility:
The central rock art area and Museum will be accessible by its universal facilitation both during the day visit and during the night. Excursion during the evening where we will see rock art by night and if conditions are there we will see the Aurora Borealis (Northern Lights).
Practical considerations:
Casual / outdoor shoes and warm clothes is recommeded. It is also recommended to bring camera.
Lunch:
Lunch at Alta Museum.
Option 1: Bidos – traditional Sami meat soup (Allergens: Celery. Additional bread with butter contains gluten and milk. Gluten free bread can be provided): 300,-
Option 2: Buy food on site (bidos is not available in this option) or bring your own food: No additional cost at registration.
Hotel discount
Nidaros Cathedral. Photo: Morten Warholm Haugen
Visit Nidaros Cathedral’s Restoration Workshop and the Archbishop’s Palace
Participants at the 2026 ICOM Conference will have a unique
opportunity to visit Nidaros Cathedral’s Restoration Workshop.
Nidaros Cathedral in Trondheim is the northernmost gothic
cathedral in Europe. It was built on the site of the grave of
Norway’s patron saint, St. Olav. In the Middle Ages the cathedral
and the adjacent Archbishop’s Palace constituted the religious
centre of Norway.
Nidaros Cathedral Restoration Workshop has been responsible
for the restoration, maintenance and operation of Nidaros
Cathedral and the Archbishop’s Palace since 1869. 23
craftspeople still use traditional tools and techniques, and in
close cooperation with the Research Department they have
acquired unique insight into medieval building techniques and practices.
The restoration workers are organised in a traditional Bauhütte,
a type of organisation which was common on the construction
sites of European cathedrals in the Middle Ages. Stonemasons,
masons, blacksmiths, joiners, plastermakers, and specialists in
the restoration of stained-glass windows work in close
cooperation with archaeologists and other researchers to restore
and maintain the historical value of the buildings. They also have
a particular responsibility for preserving and transferring the
intangible cultural practices of traditional crafts. For this work
they have been awarded UNESCO status, together with 17
European Bauhütten.
Nidaros Cathedral Restoration Workshop. Photo: Nidaros Cathedral Restoration Workshop
Conference Participants will have the opportunity to visit the
workshops and meet the restoration workers. The experienced
craftspeople will explain the processes that go into the
restoration and maintenance of a medieval cathedral; how
traditional practices work alongside technological innovation;
and how the northern climate presents particular challenges in
the maintenance of the cathedral. They will also offer specialised
tours of the cathedral, with particular focus on the restoration
practices of the past 150 years and ongoing projects.
Lunch will be served in the Archbishop’s Palace. Built in the 12th
and 13th centuries, the northern wing is the oldest profane
building in Norway. It contains the Archbishop’s Hall, and the
Regalia Room which is decorated with beautiful 17th century al
secco paintings that have been meticulously restored in recent
years.
At the end of the visit there will be a 15 min. organ concert in the
cathedral. The Steinmeyer organ was built in 1930 and has been
restored in recent years.
On Sunday participants may visit the exhibitions in the
Archbishop’s Palace. Tickets will be provided. The Museum
displays original medieval sculptures from the cathedral and
finds from archaeological excavations in the Archbishop’s Palace.
Within the palace complex is also the Norwegian Crown Regalia
exhibition.
Nidaros Cathedral Restoration Workshop. Photo: Nidaros Cathedral Restoration Workshop
More information here:
Registration: Starts in January 2026
Deadline for registration: 1 September
Location: Trondheim
Date: 19 September 2026
Price: NOK 1200,-
Duration of the visit: 7 hours. Starts at 09.30 and ends 16.15.
Max. number of attendees: 25
Meeting time: 09:30
Meeting place:
Nidaros Cathedral Restoration Workshop, Bispegata 11, Trondheim.
How to get there:
Short walk from city centre hotels (10-20 min.).
Each participant must arrange their own flights and accomodation in Trondheim.
Accessibility:
Limited wheelchair accessibility. Steep and narrow stairs.
Practical considerations:
Food and drink not allowed in cathedral and exhibitions. Practical clothing and shoes are recommended.
Lunch:
A three-course lunch with wine or optional non-alcoholic drink in Erkebispegården (a building from the 13th century) is included.
Detailed program:
09.30: Welcome and short history of the cathedral restoration
10.15: Visit in restoration workshops 13.00: Lunch
14.00: Conservation project in the Archbishop’s Palace: 17th century al secco paintings
14.30: Visit in Nidaros Cathedral. Ongoing restoration projects
16.00-16.15: Organ concert in the cathedral
Hotel discount:
Nidaros Cathedral. Photo: Nidaros Cathedral Restoration Workshop
Ringve Music Museum. Photo: Erik Børseth
Visit Ringve Music Museum – a home for musical instruments
Ringve Music Museum is a part of the Norwegian Music Museum with a collection of over 2.000 instruments. The museum is seated on an old country estate and is surrounded by the beautiful Ringve botanical garden. There will be guided tours of the manor house and of the new permanent exhibition “Soundtracks, the instrument gallery at Ringve”, which opened in 2022. These two display spaces require different approaches to preventive conservation. The manor house is a historic wooden building from 1880 and has its challenges with the harsh climate conditions of the Norwegian winter, whilst the new exhibition is housed in a stone building that uses modern systems for climate control.
In joining this tour, you will be given a tour of the historic building and listen to the music of historic instruments, demonstrated by a Playing Guide. You will visit the museum conservation laboratory for musical instruments, which is close to the exhibition area, and meet our conservators. Since playability is one of the important challenges in musical instrument conservation, you are invited to discuss the balance of the conservation of material and immaterial aspects with us. Additionally, our conservator Vera de Bruyn-Ouboter will present her Ph.D. project on “Material Combinations and Degradation – a Challenge to the Conservation of Musical Instruments”. After the visit to Ringve Music Museum, you will have the opportunity to get a guided tour and a 15 minute organ concert at Nidaros Cathedral.
Conservation Laboratory, Ringve Music Museum. Photo: Vidar Alvik
Detailed program:
09.00 Information about The Norwegian Museum of Music – Ringve and Rockheim by museum director Arnfinn Stendahl Rokne
10.00 Presentation of the R&D-project Museum Interplay (MUSIS) by project manager Sveinung Søyland Moen and senior conservator Iris Verena Barth. The project aims to develop new methods to highlight the intangible cultural heritage associated with museum instruments, to make instruments that are no longer playable available to instrument makers, musicians, and other users of the museum. Based on thorough documentation of a selection of langeleik models, the museum will develop new methods for making these instruments and the action-based knowledge they represent available to users.
10.15 Musical tour of the main building focusing on Norwegian music from 1860-1910. The tour features a lot of historical instruments being played on by the museums staff. There will be time do discuss the use of the instruments both in an historical and contemporary context.
11.30 Lunch in the museum cafeteria. The lunch is included in the pre-conference fee.
12.30 Guided tour in the conservation laboratory for musical instruments by material conservators Vera de Bruyn-Ouboter and Michael Bendiksby. The tour is combined with a tour of the adjacent permanent exhibition Sound Tracks wich opened in 2022.
13.30 Presentation of Vera de Bruyn-Ouboter’s ph.d. project “Material Combinations and Degradation – a Challenge to the Conservation of Musical Instruments” Contact corrosion and atmospherically mediated corrosion are challenges in musical instrument conservation. Metal parts, such as metal strings, corrode when in contact with other materials of the sounding body, such as wool fabrics, wood, leather or plastic. The aim of the ongoing project is to document the material combinations that cause contact corrosion most frequently in musical instrument collections, to understand the degradation mechanisms and to investigate possibilities for conservation treatment.
14:20 Short musical performance in the museums concert hall.
Part 2 will be in Nidaros Cathedral:
15.00: Guided tour of Nidaros Cathedral
16.00: Organ concert. 15 min.
More information here:
Registration: Starts in January 2026
Deadline for registration: 1 September
Location: Trondheim
Date: 19 September 2026
Price: NOK 430,-
Duration of the visit: 7,5 hours. Starts at 09.00 and ends 16.15.
Max. number of attendees: 30
Meeting time: 09:00
Meeting place:
At the museum entrance. Lade allé 60, Trondheim.
How to get there:
Bus nr. 2 from Trondheim city center to Ingemann Torps vei or bus nr. 20 from Trondheim city center to Ringve Musikkmuseum.
Each participant must arrange their own flights and accomodation in Trondheim.
Accessibility:
Ringve: Ringve is an old country estate, and it is not possible to visit all parts of the museum with a wheelchair. Below is an overview of the accessability in our various locations: The Historical Main Building: Ground floor accessible with guide. Upper floor is not accessible with wheelchair. The main exhibition “Soundtracks”: Accessible by elevator for wheelchair and disabilities. Temporary exhibitions in Kjeldsbergsalen: Ground floor, easily accessible. Laboratory and collections: Accessible with elevator. Café Victoria: Accessible with elevator wheelchair and disabilities. Gift Shop: Ground floor, easily accessible. Ringve Botanical Garden: Easily accessible with pathways between the various gardens. Nidaros: Limited wheelchair accessibility. Steep and narrow stairs.
Practical considerations:
Food and drink not allowed in the exhibition area or in the cathedral. You are allowed to take pictures. The restaurant at Ringve is open and there are toilets in the public area. It will be possible to sit at parts of the tour.
Lunch:
Lunch is included.
Hotel discount:
The Aula Paintings. Photo: Ove Kvavik, Kunstsamlingen UiO
Magical Munch
Get to know Edvard Munch’s art by visiting the University of Oslo, the National Museum, and the Munch Museum.
The University of Oslo – the Aula Paintings
Discover the fascinating history of the Aula paintings, from their creation to the present day, presented by Charlotte Wiik, Senior Advisor for the University Art Collection. This session will delve into the public commission, Munch’s artistic decisions, and the conservation history of these iconic works.
The Aula paintings are Munch’s only public commission that remain displayed in their original setting. The 11 panels, covering an impressive 223 m2 of wall space, are painted in oil on canvas and have undergone significant changes and conservation interventions over the years. Installed in the Aula in 1916, these paintings are unified by the theme of enlightenment, with The Sun (1911) serving as the centrepiece.
Munch’s preparatory sketches and studies for these works can also be found in the National Museum and the Munch Museum. The Aula, the university’s festivity hall, provides the perfect setting to appreciate these masterpieces in their intended context.
The National Museum – the Munch Room
Join Senior Curator Mai Britt Guleng and Senior Paintings Conservator Thierry Ford for an exclusive presentation of Edvard Munch’s (1863–1944) paintings, showcased in the recreated ‘Munch Room’. This tour offers a unique opportunity to explore the narrative behind the first historic public collection by the artist. The National Museum’s collection, comprising 57 Munch paintings acquired over 79 years (1891–1970), features a carefully selected ensemble of Munch’s early and mid-career masterpieces (1881–1920). Additionally, you will uncover hidden details and subtle effects that are invisible to the naked eye in iconic works such as the first version of The Scream, Madonna, Sick Child, and Self-Portrait with Cigarette.
The Munch Museum – “Look into the experimental techniques of Munch in the Ekely collection”
The Munch Museum opened its doors in October 2021 and houses the largest collection of Edvard Munch artworks in the world. The tour will give you a unique insight into the conservation studios and the laboratory which are newly designed and well-equipped. The tour will focus on Munch`s production techniques, artist`s materials, and related conservation challenges with special emphasis on his late oeuvre made at his last studio at Ekely. The conservators and the conservation scientists will present examples from the collection and reveal current research and treatments. Afterwards, you are welcome to see the exhibition.
Senior Curator Mai Britt Guleng and Senior Paintings Conservator Thierry Ford, the National Museum. Photo: Annar Bjørgli
More information here:
Registration: Starts in January 2026
Deadline for registration: 1 September
Location: Oslo
Date: 19 September 2026
Price: NOK 650,-
Duration of the visit: 6 hours. Starts at 10.00 and ends 16.00.
Max. number of attendees: 25
Meeting time: 10:00
Meeting place:
Entrance of the University Aula, Domus Media.
Karl Johans gt. 47, 0162 Oslo. Your guide will meet you outside by the pillars.
Accessibility:
About 10 + 20 min. walk between the venues. Your guides will follow you to the next venue.
Aula: Stairs up to main entrance, please let us know if need for wheel chair entrance in the backside of the Aula.
The National Museum : The museum is accessible by wheelchair.
Munch: We would like to know if somebody in a wheelchair is coming in beforehand. No stairs, no obstacles.
Practical considerations:
No food or drink allowed. No outdoor coats or large bags allowed inside. Please use the wardrobe.
Lunch:
Lunch is included.
The Munch Museum. Photo: Charlotte Stahman
Urnes stave church. Photo: Harald Ibenholt, Riksantikvaren
Wooden architecture – and world heritage: How to preserve a stave church from natural and anthropogenic hazards
A visit to Urnes stave church, a cultural world heritage property, surrounded by the Sognefjord, a natural world heritage property.
Urnes stave church was inscribed on the UNESCO world heritage list in 1979. It is dated to the 1130s but was partly built using wooden materials from an older church. The main room still retains its original posts (staves) and layout. The church has been owned by Fortidsminneforeningen (National Trust of Norway) since 1882.
We will enjoy informed guided tours at the stave church by the National Trust and Norwegian Institute for Cultural Heritage Research’s professional team of conservators and also meet the owners, and local caretakers.
Urnes stave church. Photo: Lene Buskoven, Riksantikvaren
Detailed program:
Friday afternoon/evening:
Airplane Oslo-Sogndal. From the airport, take the transfer bus to Sogndal.
Alternatively, bus from Oslo to Sogndal (7 hour trip).
Hotel: Quality Hotel Sogndal
Saturday:
09.00 Bus from Sogndal skysstasjon (across the road from Quality hotel Sogndal) to Solvorn, ferry to Urnes stave church crossing the Luster fjord
Guiding Urnes stave church
Theme:
World Heritage Site
Architectural history
Preservation challenges in a remote location
Impact assessment for the North Portal
Tourism and wear from visitor traffic
Upcoming World Heritage Center
Managed visitation strategy
Buffer zone planning
Bat conservation issues
Overall context:
Fjords and stave churches
The cultural and natural landscape
Lunch at the Ornes farm
13:00, same route back to Solvorn, bus back to the airport
Saturday afternoon: Flight back to Oslo, at 16.25 the earliest
More information here:
Registration: Starts in January 2026
Deadline for registration: 1 September
Location: Sogndal – Ornes (Sognefjord)
Date: 19 September 2026
Price: 1750,-
Duration of the visit: 19th of September 2026 full day – Plane from Oslo to Sogndal Friday 18th. See detailed program for further information.
Max. number of attendees: 25
Meeting time: 09:00
Meeting place:
Sogndal skysstasjon (across the road from Quality hotel Sogndal)
How to get there:
Transportation:
Plane, bus and ferry, and by foot
The church is located by Sognefjord. The nearest airport is Sogndal. A plane from Oslo Friday afternoon/ night must be booked by attendees (45 mins by plane, sometimes longer due to the flight route), and bus from Sogndal airport to the city centre in Sogndal (20 mins).
A bus will pick up the attendees Saturday morning by the hotel. This round trip bus is included in the price. 25 minutes bus trip to Solvorn, for ferry departure over the Lusterfjord (part of Sognefjord) to Ornes. From the ferry pier to the church a half an hour walk up the hill to the stave church. Return after the tour directly to the Sogndal airport.
Reservation:
The air travel to Sogndal is operated by small DASH 8-aircrafts, and the route has few departures. It is crucial for attendance that you book your flight early 2026.
Trip booking details:
For return flight Oslo – Sogndal, book at wideroe.no, from OLS+ (Gardermoen) til SOG Sogndal airport (Haukåsen).
When booking a flight, remember to check number of flight transfers. Not all flights are direct as Sogndal is a small airport. It may not be possible to book a direct flight but be aware of the route. The route is operated with DASH 8- airplanes, and turbulence must be expected.
Bus transfer from Sogndal airport to the centre in Sogndal:
Link to Public transport to and from Sogndal Airport
For bus travel Oslo – Sogndal, check VY Express Vy Buss: Find your next bus journey here
Hotel booking: Quality Hotel Sogndal. Rooms from 2000 NOK:
Accessibility:
A steap walk from the ferry, some steps and narrow openings to enter the church.
Practical considerations:
Food and drinks not allowed inside the church. No smoking on the church yard. Photos only for private use. Good foot wear and rain coat is recommanded.
Lunch:
Lunch on Saturday 19th is included. This will be served at a barn close to the stave church.
Eidsvoll 1814. Photo: Stiftelsen Norsk Folkemuseum
Visit Eidsvoll 1814
A visit to Eidsvoll – a guided tour through the interiors of the Manor House.
The Norwegian Constitution was drawn up, deliberated, voted for, and signed in 1814 at the Eidsvoll Manor House. It is one of Norway’s most important national symbols. It is a beautiful example of neoclassical wooden architecture, whose design draws inspiration from the ideals of antiquity, and it is unparalleled in Norway. The visit will focus on the reconstruction of the complete interior to the level of the original appearance in 1814.
In addition to the guided tour, there will be a possibility to visit the Center for Democracy located next to the manor. The exhibition here has its focus both on the historical background of the constitution and on the democracy of today. The exhibition is made with a modern design and several interactive features.
There will be a lunch break and the possibility to purchase lunch in the cafe at the Center for Democracy.
Eidsvoll 1814. Photo: Norsk Folkemuseum, Lene Myrum Haugen
Eidsvoll 1814. Photo: Norsk Folkemuseum, Lene Myrum Haugen
More information here:
Registration: Starts in January 2026
Deadline for registration: 1 September
Location: Oslo -Eidsvoll
Date: 19 September 2026
Price: NOK 370,-
Duration of the visit: 4,5 hours including travel.
Max. number of attendees: 2 groups of 20
Meeting time: 11:00
Meeting place: Oslo City centre – TBD
How to get there:
There will be arranged a round trip bus from Oslo city centre. This is included in the price.
Accessibility:
Access to the historical interiors only by stairs. Inform us if any extra help is needed.
Practical considerations:
The manor holds a low temperature, so bring warm clothes.
Lunch:
Lunch is not included. It is possible to buy lunch in Kafé Standpunkt.
Bogstad Gård. Photo: Norsk Folkemuseum, Mette Mork
Visit Bogstad Manor
Visit Bogstad Manor – a guided tour through the original interiors of the main building, dated late 18th century.
The Bogstad Manor is a listed and protected cultural monument and one of the few country estates in Norway. The manor is beautifully situated by a lake and has preserved much of the surrounding landscape. The manor house was the center of a large and well-run estate with significant forest properties, sawmills, and ironworks, and was owned and inhabited by the magnate Peder Anker (1749-1824), who became Norway’s first prime minister in 1814. Anker is also described as “a citizen of the world” through educational trips and international trade activities.
The interiors and the furnishing are to a great degree preserved from the late 18th century and contain a high-quality collection of 17th and 18th century European visual art.
In connection with the guided tour, it will be possible to visit the Art Gallery established in a former stable building. Every season, The Art Gallery has a new exhibition with art from the manor displayed alongside other historical art or contemporary art from Norway.
It is also possible to visit the café at the museum for a refreshment.
More information here:
Registration: Starts in January 2026
Deadline for registration: 1 September
Location: Oslo
Date: 13 September 2026
Price: No costs.
Duration of the visit: 1 hour
Max. number of attendees: 3 groups of 20
Meeting time: 13:00
Meeting place:
The main building. Sørkedalsveien 450, 0758 Oslo
How to get there:
Subway from city center, Line 2 to Røa. Change to bus 41 towards Sørkedalen. Exit Bogstad Gård. NB! Bus only once per hour. Plan your visit in advance.
Accessibility:
Access to the historical interiors only by stairs. Inform us if any extra help is needed.
Lunch:
Lunch is not included. It is possible to buy lunch and coffee before and after the tour at café Grevinnen.
Bogstad Gård. Photo: Norsk Folkemuseum, Mette Mork
Bogstad Gård. Photo: Norsk Folkemuseum, Mette Mork
Bogstad Gård. Photo: Norsk Folkemuseum, Mette Mork
Samediggi, the Sámi Parliament. Photo: Denis Caviglia, Samediggi
Visit the RiddoDouttarMuseat and Sámi Parliament building in Karasjok
Join current Museum Director and Conservator Anne May Olli on this unique visit to Karasjok and the collections of RiddoDuottarMuseat.
RiddoDuottarMuseat is an Indigenous museum association consisting of four Sami museums and a Sami art collection in the western part of Finnmark, the administration is in Karasjok.
The RiddoDuottarMuseat is responsible for the safekeeping and management of collections, consisting of traditional cultural Sámi objects and Sámi contemporary art. To preserve and exhibit these collections in the best possible way, a new museum building is being planned. The project is to be completed in 2030, and the new building will be a significant exhibition area where Sámi cultural history meets Sámi contemporary art. Included in the project are conservation labs organized to allow for the inclusion of traditional craft knowledge to the conservation work.
On this tour, you will get a unique insight into the development of the new Sámi contemporary art scene and the preservation of traditional Sámi cultural history. There will be a focus on RiddoDouttarMuseat’s role as an Indigenous Museum association and how this affects the conservation of these collections. The visit will focus on how to preserve and conserve art and objects from Indigenous cultures, and at the same time stress the type of knowledge needed in the decision-making process. What kind of facilities are needed to preserve these types of collections which consist of both tangible and intangible heritage, in the best possible way? Sámi cultural heritage conservation is a professional discipline at RiddoDouttarMuseat, and the museum is constantly working on education and development of the field. In addition, the museum works with other issues connected to indigenous collections, like the export of Sámi art and cultural objects (Export permit application management). It also works actively to ensure the repatriation of cultural artifacts that have previously been taken out of Sápmi.
Artworks are regularly exhibited at the Sámi Parliament. The trip will include a visit to the parliament building to see the exhibition there.
The trip will also pass by the village of Maze, which became the symbol of the fight for the rights of the Sámi people. In the 1970s the village was planned to be flooded due to the development of the Alta Hydroelectric Power Station, but after huge public protests, the plan was cancelled. These protests brought Sámi rights to the political agenda and laid the foundation for the establishment of the Sámi Parliament and the recognition of the Sámi community.
Beavit, Outi Pieski. Photo: Annar Børgli, National Museum
More information here:
Registration: Starts in January 2026
Deadline for registration: 15 August
Location: Alta – Karasjok
Date: 19 September 2026
Price: NOK 1350,-
Duration of the visit: Full day program from 9.00 to 19.00
Max. number of attendees: 45
Meeting time: 09:00
Meeting place:
Outside Scandic hotel at the parking lot (Løkkeveien 61, 9509 Alta)
How to get there:
Flight from Oslo to Alta on Friday. (Each attendee must arrange flight and accomodation themselves.)
There will be arranged a round trip bus from Alta. This is included in the price.
Accessibility:
Accessible by wheelchair.
Practical considerations:
Good walking shoes and warm clothes
Lunch:
Lunch is included.
Hotel discount:
Krigsdans, Annelise Josefsen. The collection of RiddoDouttarMuseat, currently on display at the National Museum. Photo: Ina Wesenberg, National Museum.
Goavddis, Sámi drum. Foto: RiddoDouttarMuseat
Photo: Katja Rykova / www.nordnorge.com /
Visit Kautokeino with a focus on traditional Sámi culture and handcraft
Join this trip to Kautokeino with staff from RiddoDuottarMuseat and get to know the Sámi traditional culture in scenic surroundings in the northernmost part of Norway. The tour will focus on how to preserve the tangible and intangible Sámi traditions and culture for future generations. This tour will have a particular focus on the use of traditional craft in a museum setting.
Guovdageainnu gilišillju / Kautokeino municipal museum is a part of the RiddoDuottarMuseat Museum association and lies by the riverbank in the centre of the community of Guovdageaidnu/Kautokeino. This beautiful outdoor museum consists of buildings moved to the site and demonstrates the nature of the old Sámi culture. Many of the buildings are protected and there are models of turf huts, constructions from the reindeer husbandry, and outlying settlements. Sámi culture is closely linked to nature. The museum area consists of cultivated land from the beginning of the 18th century and was a school site that was in use from 1883 to 1959. In recent years, the museum has worked a lot with building conservation and reconstruction. The collection is related to trade, households, religion, duodji/handicrafts, and pictorial art, with their origins throughout Sápmi (Sámiland).
At the museum, you will meet local museum staff who are both carriers and mediators of Sámi culture. Ellen Bals and Johan Hætta are experts in the field of preservation of traditional Sámi culture and heritage. You will get an insight into the traditional way of living, consisting of reindeer herding, hunting and fishing, building turf huts, and other constructions that were used in reindeer husbandry and outback settlements. In addition, you will be introduced to the rich tradition of Sami handcrafting “duodji” made from different materials like textile, wood, bone, leather, and fur. In the exhibition, you will see examples of the traditional colourful clothing worn in Sámi homelands called “kofte”. This is a living clothing tradition that is constantly evolving and is still in use today. The Kautokeino “kofte” is the most colourful of all the traditional outfits in the Sámi homelands.
The tour will also include a visit to Juhl’s Silver Gallery. This is Finnmark’s first silver smithy established in 1959 and is not just a shop but also a gallery. The building was intended to emphasize the plateau’s generous and undulating forms. At the same time, it was supposed to be an oasis for human creativity and joy. Juhl’s is a contemporary producer of jewellery that make out an important part of the clothing tradition in the Sámi region.
The trip will also pass by the village of Máze, which became the symbol of the fight for the rights of the Sámi people. In the 1970s the village was planned to be flooded due to the development of the Alta Hydroelectric Power Station, but after huge public protests, the plan was cancelled. These protests brought Sámi rights to the political agenda and laid the foundation for the establishment of the Sámi Parliament and the recognition of the Sámi community.
More information here:
Registration: Starts in January 2026
Deadline for registration: 15 August
Location: Alta – Kautokeino
Date: 19 September 2026
Price: 1135,-
Duration of the visit: Full day program from 9.00 to 18.30
Max. number of attendees: 45
Meeting time: 09:00
Meeting place:
Outside Scandic hotel at the parking lot (Løkkeveien 61, 9509 Alta)
How to get there:
Flight from Oslo to Alta on Friday. (Each attendee must arrange flight and accomodation themselves.)
There will be arranged a round trip bus from Alta. This is included in the price.
Accessibility:
Accessible by wheelchair.
Practical considerations:
Good walking shoes and varm clothes
Lunch:
Lunch is included.
Hotel discount:
Ellen Bals (Kautokeino – kofte) and Anne May Olli (Karasjok – kofte). Photo: Line Kalak
Guovdageainnu gilišillju / Kautokeino municipal museum. Photo: Jan Helmer Olsen
Kautokeino. Photo: Jina Chang
Uvdal stavkirke. Photo: (C) Jiri Havran, Riksantikvaren
“The valley of medieval”: NIKU’s work in Numedal and its stave churches
Spaced closely together in the Numedal valley, three of Norway magnificent stave churches – Rollag, Nore and Uvdal –represent some of the finest remaining examples of Norway’s unique architectural contribution to the world heritage. We will enjoy informed guided tours of all three churches by NIKU, the Norwegian Insitute for Cultural Heritage Research’s professional team of practicing conservators and the National Trust of Norway, who owns two of the stave churches. They will share their insights on the magnificent medieval – and Post Reformation liturgical art of Norway, and how to maintain it.
Contributors: Linn Willetts Borgen – Architectural historian PhD, about stave churches, their construction and history Kristin Kausland – Conservator PhD, about the history of change in Church art Karen Mengshoel – Conservator, about treatment of distemper paint decor Bjørn Ole Hovda – PhD in Church history and writer of the book “Uvdal stavechurch”.
Rollag stavkirke. Photo: (C) Trond Isaksen, Riksantikvaren
Uvdal kirke interior. Photo: (C) Birger Lindstad, Riksantikvaren.
More information here:
Registration: Starts in January 2026
Deadline for registration: 1 September
Location: Oslo – Numedalen
Date: 19 September 2026
Price: 1600,-
Duration of the visit: Full day program. We will get on the bus from the city centre at 08.30. Return Oslo city centre at approximately 19.00.
Max. number of attendees: 25
Meeting time: 08.30
Meeting place:
Oslo city centre – TBD
How to get there:
There will be arranged a round trip bus from Oslo city centre. This is included in the price.
Accessibility:
Some steps and narrow openings to enter churches.
Practical considerations:
Food and drinks not allowed inside the churches. Good foot wear is recommended.
Lunch:
Lunch is included.
Uvdal stavkirke interior. Photo: (C) Arve Kjersheim, Riksantikvaren
Nore stavkirke. Photo:(C) Birger Lindstad, Riksantikvaren
Kunstsilo next to Kilden Performing Arts Centre on the archipelago of Odderøya. Photo: ©Kunstsilo/Alan Williams Photography
Visit the Kunstsilo and Kunstsilo’s new storage facilities in Kristiansand
Kunstsilo is an award-winning museum building, located in a former grain silo situated on Odderøya in Kristiansand, Norway. The former grain silo has been transformed into one of Northern Europe’s most innovative powerhouses for art and cultural experiences. Kunstsilo, opened its doors to the public in the spring of 2024 and stands as an outstanding example of a dynamic collaboration between private and public initiatives.
Kunstsilo administers three permanent collections, one of which is the Tangen Collection. The Tangen collection is the world’s largest collection of Nordic modernism. It includes paintings, graphics, sculptures, textile works, ceramics, handicrafts, photography and conceptual art from the 20th Century.
During the visit we’ll give a tour of the museum, its exhibitions and its new spaces for conservation. In addition to Nordic modernism, Kunstsilo showcases international digital contemporary art and temporary exhibitions. We’ll also visit the museum’s new storage facilities, with storage solution delivered by Bruynzeel, located just outside the city centre.
Guests experiencing Kunstsilo. Photo: ©Kunstsilo/Alan Williams Photography
The Silo Hall. Photo: ©Kunstsilo/Alan Williams Photography
From the opening exhibition Passions of the North. Photo: © Kunstsilo/ Tor Simen Ulstein
More information here:
Registration: Starts in January 2026
Deadline for registration: 1 September
Location: Oslo – Kristiansand
Date: 13 September 2026
Price: No costs.
Duration of the visit: 08.00-20.00 (including travelling)
Max. number of attendees: 25
Meeting time: 08.00
Meeting place:
Oslo city centre – TBD
How to get there:
There will be arranged a round trip bus from Oslo city centre. This is included in the price.
Accessibility:
Kunstsilo is wheelchair friendly on all floors.
Practical considerations:
Any special dietary requirement must be specified before the visit.
Kunstsilo actively welcomes its guests to take photographs, but without the use of the flash.
Food and drink are not allowed in any of the exhibition areas.
Bags and coats are not allowed in the exhibition areas; lockers are provided free of charge.
Our knowledgeable guides are present on all floors and are willing to answer any questions you might have.
Lunch:
A two-course lunch is included.
Franciska Clausen, Contrastes des formes, 1927. Kunstsilo/Tangen-samlingen. Photo: © Franciska Clausen / BONO
Anno Center of Collection Care. Photo: Anno Museum / Roger Johansen
Visit the Anno Museum and the new storage facilities at the Anno Center of Collection Care
We look forward to welcoming you to the Anno Museum and the Anno Center of Collection Care. Anno Museum is a museal consolidation of small and large museums all over the County of Hedmark. It consists of 29 museums, from local village open-air museums to museums of national and international importance. Anno Center of Collection Care was officially opened in 2022. The building facility is located next to the Anno Glomdal Museum in Elverum. It features 3500 square meters of climate-controlled storage for museum objects, along with conservation workshops and other specialized facilities. This facility works towards all the museums within the Anno Museum organization, focusing on various areas of collection management, including conservation, documentation, preservation, and photography.
The center is designed to store up to 100,000 items from our vast collections and museum departments, making them available for exhibitions, research, and digital access to the public. The Center of Collection Care plays a key role in safeguarding and making these invaluable objects available to the broader community. Our team ensures the preservation and accessibility of cultural heritage, both for future generations and for ongoing research and study.
On this visit, we will offer an in-depth tour of our state-of-the-art facilities, including a presentation of our brand-new Bruynzeel storage systems and our Thermo Lignum pest management heat chamber. Here, we will showcase our efforts in conservation and collection care. During the visit, you will be given a comprehensive presentation of Anno’s pest management protocols, highlighting our approach to safeguarding our collections. At the Center of Collection Care each object undergoes a meticulous process of heat treatment, cleaning, documentation, and conservation before being stored in our specialized collections storage.
Participants will have the opportunity to visit the Glomdal Museum. This is an open-air museum of cultural history encompassing the local region. One of the current exhibitions “Latjo drom” presents the culture and history of the Romani people in Norway.
Conservation studio & laboratory. Photo: Anno Museum / Roger Johansen
One of the primary storage facilities of Anno’s Center of Collection Care. Photo: Anno Museum / Toril C. Skaaraas Hofseth
More information here:
Registration: Starts in January 2026
Deadline for registration: 1 September
Location: Oslo – Elverum
Date: 13 September 2026
Price: 300,-
Duration of the visit: 09.00 – 17.00. (including travelling)
Max. number of attendees: 50
Meeting time: 09.00
Meeting place:
Oslo city centre – TBD
How to get there:
There will be arranged a round trip bus from Oslo city centre. This is included in the price.
Accessibility:
Accessible by wheelchair. A 300 meter walk between Bevaringssenteret and Glomsdalsmuseet where the lunch will be held.
Practical considerations:
Bags, outerwear and knitwear must be left in the wardrobe. Although knitwear is not allowed, warm clothes are recommanded as the storage hold 15 degrees celsius. Shoe covers must be used. You cannot bring your notebook or paper, but are welcome to take your phone. Photo restrictions will be informed about on site. Food or drinks are not allowed.
Due to security you have to follow your guide and are not allowed to walk on your own.
Lunch:
Varm lunch at Anno Glomsdal museum is included.
A multitude of objects undergoing pest management in the Thermo Lignum heat chamber. Photo: Anno Museum / Toril C. Skaaraas Hofseth
Preus Museum, Permanent exhibitions. Photo: Ana Gonçalves
Visit the Preus Museum – Norway’s National Museum of Photography
Join this visit to the Preus Museum and get an insight into the world’s first permanent real colour photographic technology, the Lippmann interferential colour photography. Location for the event will be the library, exhibition and conservation department of the Preus Museum. The visitors will be led through the presentation by Jens Gold the photograph conservator of the museum. Preus Museum is the National Museum of photography in Norway. It is situated in the town of Horten, about 80 km south of Oslo on the western shoreline of the Oslo fjord. The idyllic location on a half island is the former 19th century navy base Karljohansvern.
In 1891 the first true and permanent colour photographic technique in the history of photography was presented by the French physicist Gabriel Lippmann (1845-1921). Almost immediately after the presentation, several photographers and scientists started to experiment and produce images with Lippmann colour. Unlike any other early and modern examples of colour photography, it does not require dyes or pigments to generate colour but depends on the standing wave phenomenon of light like the colours of a soap bubble, a butterfly wing or mother of pearl. Looking at the documented activity of photographers and the historical literature, several thousand Lippmann interferential colour images must have been produced around 1900. Today, only a few institutions and collectors worldwide possess original examples of these rare colour images. The photographic colour technique appears in a variety of conditions and presentation forms which highly affect their vulnerability, permanence, and viewing properties.
The Preus Museum has a considerable collection of fourteen unique Lippmann colour plates made by two key pioneers: Richard Neuhauss and Hans Lehmann. In addition, a unique historic group of books, papers and objects concerning the Lippmann process is part of the collection. This group of objects build the basis of a recent four-year PhD research project, started in the summer of 2021. The project aimed to investigate Lippmann colour in terms of its materiality, history and its preservation and conservation challenges. The legendary interferential colour photographs by Richard Neuhauss and Hans Lehmann, are in focus of the presentation to be held. It will also give a practical hands-on introduction to the technology, history, presentation, and preservation challenges of Lippmann colour plates. Rare examples of interferential colour plates as well as replicas, materials, tools, and technology made and used during the research, will be shown during the presentation.
More information here:
Registration: Starts in January 2026
Deadline for registration: 1 September
Location: Oslo – Horten
Date: 13 September 2026
Price: 1000,-
Duration of the visit: 8 hours (including travelling)
Max. number of attendees: 2 groups of 20
Meeting time:
Group-1 kl. 08.30
Group-2 kl. 08.30
Meeting place:
Oslo city centre – TBD
How to get there:
There will be arranged a round trip bus from Oslo city centre. This is included in the price.
Accessibility:
The conservation department is in an old building. Not so practical for wheelchair (stairs). However, we fix it. Give info before arrival.
Practical considerations:
No food in the conservation lab or the museum.
Lunch:
Lunch is included.
Still life detail. [no original title], by Hans Lehmann (1875 – 1917). Lippmann process aka interferential color photography. 12 cm x 8,9 cm. Glass plate with 10 degree wedge prism, 1908. Albert Narath Collection. Photo: Ana Gonçalves, Preus Museum.
Textile close-up II [no original title], Richard Gustav Neuhauss (1855-1915). Lippmann process aka interferential color photography. 8,4 cm x 6,8 cm. Glass plate with 10 degree wedge prism, Undated. Albert Narath Collection. Preus Museum. Photo: Jens Gold, Preus Museum.
Preus Museum. Photo: Ana Gonçalves
Natural History Museum. Photo: Adnan Icagic
Explore the University Museum of Bergen
The University Museum of Bergen kindly invites professionals in conservation and related disciplines to visit the Conservation Laboratories and modern, low-energy storage facilities.
Explore our specialised projects in Archaeological, Painting, Textile, Graphic, and Natural History Conservation, and learn about cutting-edge methods we use to preserve and study diverse materials. Ongoing research on archaeological objects of various materials, including textiles, related to the analysis of natural fibres and innovative methods to stabilise fragile materials uncovered during excavations.
Gain insights into how we safeguard invaluable objects, from ancient archaeological finds to intricate cultural history- and natural history objects. The visit includes a presentation of the ongoing project “Moving the Middle Age Church Art Collection” and an opportunity to engage with our experts. Join us to exchange knowledge and explore collaborative opportunities in advancing conservation science.
The program includes an exciting visit to the Natural History Museum, where you’ll explore its rich collections, followed by a tour of the Conservation Laboratories to discover state-of-the-art conservation techniques. The day concludes with a visit to the modern storage facilities, showcasing cutting-edge methods for museum storage and collection care.
University Museum of Bergen. Photo: Adnan Icagic
Bryggen, Bergen. Photo: Bergen_by_night_IPssmidi_CC BY-SA 3.0.jpg
Fløybanen Funiculaire. Photo: Svein-Magne Tunli, CC BY-SA 3.0
More information here:
Registration: Starts in January 2026
Deadline for registration: 1 September
Location: Bergen
Date: 12 September 2026
Price: No costs.
Duration of the visit: From 09.00 to 16.00.
Max. number of attendees: 25
Meeting time: 09.00
Meeting place:
Muséplassen 3, Bergen
How to get there:
This trip takes place in Bergen. Participants must book their own flights and accommodation for this trip. Several locations can be reached within a 15-minute walk in Bergen. The host will organise transport to the remote central storage.
Accessibility:
The Natural History Museum and Conservation Laboratories are wheelchair accessible. The ground floors of the central storage facilities are wheelchair accessible, there are stairs to reach higher floors in the storage centres.
Practical considerations:
Bergen is on the Atlantic coast, known for its mild and humid climate. It is hilly and offers good hiking opportunities. Water-resistant shoes and a raincoat are recommended. A good umbrella may be an alternative for those who only like to stay in the city centre.
Lunch:
Lunch is included.
Hotel discount: