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Møterom 4 |
Møterom 1 |
Sal A |
Sal B |
Sal C |
| 13:30 to 14:00 |
Graphic Documents
Chair:
Andrea Pataki-Hundt
Mutual understanding – The basis for cross-cultural exchange
Karin Eckstein
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Textiles
Chair:
Sarah Benson
A strategic approach to the sustainable use of a deteriorated historic textile as a teaching resource in practical conservation training
Yasunori Matsuda
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Theory, History, and Ethics in Conservation
Chair:
TBA
Approaches to teaching conservation ethics: How is everyone doing it?
Nina Owczarek
|
Art Technological Source Research
Chair:
Wibke Neugebauer
Old collections, new connections: Interdisciplinary contextualization of ancient Egyptian textiles
Eva Düllo
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Scientific Research
Chair:
Ashley Freeman
Multi-technique analytical approach to the study of an unusually faded green in the Mewar court painting “Jagat Singh II and his Queens at Jagniwas”
Maria Goretti Mieites Alonso
|
| 14:00 to 14:30 |
Graphic Documents
“Mended throughout and bound in cloth”: Revisiting 1890–1916 repairs whilst conserving the Bodleian Genizah collection
Marinita Stiglitz
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Textiles
Optimizing object display durations: A microfading testing approach to preserving historical textiles at the Rijksmuseum
Willemijn Bolderman
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Theory, History, and Ethics in Conservation
An artist’s professional evolution: Community-led conservation initiatives in Pakistan
Sana Durrani
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Art Technological Source Research
The impact of white: The introduction of titanium dioxide pigments in artists’ paints as evidenced in German paint manufacturers’ archives
Lea Vieler
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Scientific Research
A holistic non-invasive study of Indian Ragamala paintings
Alessandra Vichi
|
| 14:30 to 15:00 |
Graphic Documents
Quantitative assessment of the impact of humidification treatment on degraded parchment
Laurianne Robinet
|
Textiles
A silk tent at the North Pole: The conservation and display of the 1928 “Red Tent”, Museum of Science and Technology, Milan
Cinzia Oliva
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Theory, History, and Ethics in Conservation
Events, affects and ethics: Rethinking the “moment” in conservation
Jina Chang
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Art Technological Source Research
A master of paint: The Parisian colourman Lucien Lefebvre-Foinet and its transnational legacy
Catherine Nunn
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Scientific Research
Distinguishing between calcites formed by different mechanisms: A case study of archaeological lime from Potou Site, China
Na Zhao
|
| 15:00 to 15:30 |
Break & Poster Sessions |
| 15:30 to 16:00 |
Graphic Documents
Chair:
Marlen Börngen
Andy Warhol’s Cow Wallpaper: Conservation strategies for a multi-part silkscreen
Sarah Maria Simon
|
Textiles
Chair:
Rosie Chamberlin
Painted cloths at the National Trust: Beyond borders and across disciplines
Rebecca Hellen
|
Theory, History, and Ethics in Conservation
Chair:
TBA
Ethical challenges in conservation training: Indigenous students and the decolonization of heritage conservation practices
Paula Matiz-López
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Art Technological Source Research
Chair:
Anne Christensen
Early development of Winsor & Newton artists’ acrylic paints
Patricia Smithen
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Scientific Research
Chair:
Tanaka Manako
Ancient Egyptian cotton? An analytical case study on fibre identification, quality assessment, material processing, degradation and dating of an Egyptian textile ensemble
Hana Lukesova
|
| 16:00 to 16:30 |
Graphic Documents
Technically speaking: Analysis of Edvard Munch’s printmaking materials
Abby Schleicher
|
Textiles
Archaeological-textile cleaning experiences with vacuuming
Rebeka Nagy
|
Theory, History, and Ethics in Conservation
Three scenarios exploring carbon footprints and time horizons in cultural heritage preservation of historic silver
Sarah Nunberg
|
Art Technological Source Research
Sophie Taeuber-Arp: From a craftswoman to a woman artist
Gesine Betz
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Scientific Research
Studying materials and techniques of Greek Byzantine icons using the TriENA analytical system
Martha Athanasiadou
|
| 16:30 to 17:00 |
Graphic Documents
Planning Session
|
Textiles
NetLaPaTex project: Multi-technique evaluation of laser cleaning of heritage textiles
Margot Dubost
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Theory, History, and Ethics in Conservation
The untold story of ICOM-CC terminology: Towards building consensus
Gaël De Guichen
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Art Technological Source Research
Rediscovering Aqua-tec acrylic paint: History and use by Jack Whitten and New York abstract artists
Eleonora Cervelli
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Scientific Research
Planning Session
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